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The major party replies are laughably vague. You couldn't get more middle-of-the-road than saying "We must embrace new technology but preserve author's rights." That's playing both sides in a bland, uninformative, uncreative way. If you're going to play both sides, why not offer some real possible solutions to try?
Cute! Al Gore grew up in Tennessee, songwriting capital of the world! The millionaire son of a millionaire US Senator! But he's jes' plain folks, y'all, he loves his music and he loves his wife.
I wonder if Bush knows what "peer-to-peer file sharing" is. His handlers have been doing a better and better job trying to make him look literate. I like Nader's quip: "No wonder he's in favor of education -- he needs so much of it."
Hagelin's response has a nice bit of reality in it; delivery companies have traditionally fought tooth and nail against any form of competition. I don't agree that "intellectual property is a key motivator in creating new content." I think for many creative individuals, there's a desire to satisfy a creative drive, and getting paid to do that is one of the ways to support yourself while satisfying that drive. However, most creative output isn't subsidized (how many poets and artists make a living at it?); only the most popular, marketable, and easy to package output is rewarded by the intellectual property paycheck.
The Constitutional Party response is nice for not pandering to technology enthusiasts, but I think it's also too vague.
Personally, I think that availability of art and music should be practically unlimited, and technology helps to make that possible (to folks in the technology club who can afford computers, anyway). I think exposure to works of art are of such public value that it should be a vital public interest to expand availability and fund publicly available art in any way possible.
There's an issue of control, and an issue of choice. Should artists be forced to share their recorded works? I think it's impossible to prevent the reproduction of certain types of work, so I would be interested in seeing a shift from "how can we prevent sharing" to "how can we facilitate sharing" and "how can we build a public interest in funding public art."
It's tough, since the commercialization of art is centuries-entrenched, and the technology for vast, low-cost or free public distribution of works of art is less than a decade old. But I think now's a perfect time to try and make a difference in the attitudes about commerce, art, and the public interest. |